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“You’d best go an’ take her hoss, Moses,” directed Mr. Wopp. Then raising his voice he called, “Go right on into the house, Mis’ Mifsud. Lize has jist gone in from the garden.” “Flash has cake, Sir Thomas cheese,” Edith explained, giving each his coveted bit. They took the morsels from her fingers, ate them delicately, and mewed once. “That’s ‘Thank you,’” Edith interpreted. “Billy, I don’t like the look of your eyes; you’re reading too much at night,” his mother said one evening when he was helping with the dishes. “You must go to bed earlier.”.
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Mrs. Mifsud, however, had seemingly heard not a word of the story. In her distress she forgot that Mrs. Wopp was decidedly plebeian in her conversation and otherwise hopelessly unfashionable; all these discrepancies vanished from her mind, and leaning over on the ample bosom, she wept copiously. Mrs. Wopp patted her in a motherly way. “One touch o’ nater makes the hull world a-kin,” she whispered, “Hearten up, Mis’ Mifsud, Moses ’ll find yer little lamb. That boy seems slow, but all’s not gold that’s a-glitterin’. He’s shorely got a nose fer findin’ things. Our black carf got lost on the prairie one day an’ he found it arter everybody else hed giv’ up huntin’.” During Betty’s illness these one-sided dialogues were more than usually plentiful. In this way only was Mrs. Wopp able to alleviate the “gnawin’ at her heart-strings” as she said, at having Betty so ill. It also kept the boy alive to the fact that life’s path was not strewn with “cabbage roses.” Such, at least, were the confidences poured into the sympathetic ear of his pinto. Mrs. Wopp’s eagle eye, again rested on the lowering face of her offspring. “Ef you could only see how you look, Betty. You must hev some eyebrows somehow.”.
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